| ISBN |
1885254210 |
| Name |
Brougher, Kerry organiser |
| Title |
Art and film since 1945 : hall of mirrors / organized by Kerry Brougher ; with essays by Jonathan Crary and six others ; edited by Russell Ferguson. |
| Portion of title |
Hall of mirrors |
| Published |
Los Angeles : Museum of Contemporary Art, [1996] |
| ©1996. |
| Description |
327 pages : illustrations (some colour) ; 28 cm. |
| Note |
Includes bibliographical references (pages 310-317) |
| Contents |
Director's Foreword / Richard Koshalek -- Introduction and Acknowledgments / Kerry Brougher -- Hall of Mirrors / Kerry Brougher -- Beautiful Moments / Russell Ferguson -- The "Other" Cinema: American Avant-Garde Film of the 1960s / Bruce Jenkins -- Engaging Perspectives: Film, Feminism, Psychoanalysis, and the Problem of Vision / Kate Linker -- Notes on Painting and Film / Robert Rosen -- Dr. Mabuse and Mr. Edison / Jonathan Crary -- History Without Object / Molly Nesbit -- Art and Film: A Chronology / Mariana Amatullo. |
| Recording note |
Exhibition: Museum of Contemporary Art at the Temporary Contemporary, Los Angeles, Mar. 17, 1996-July 28, 1996. |
| Summary |
Art and Film Since 1945: Hall of Mirrors explores the complex and profound relationship between cinema and the visual arts in the postwar era. It examines how art has shifted toward film, how film has been influenced by art, and how the two have fused into new forms of artistic expression. Published in conjunction with a major exhibition organized by The Museum of Contemporary Art, Los Angeles, Art and Film features work by more than one hundred of the century's most remarkable filmmakers and artists, such as Joseph Cornell, Alfred Hitchcock, Akira Kurosawa, Jean-Luc Godard, Michelangelo Antonioni, Richard Hamilton, Diane Arbus, Andy Warhol, Raul Ruiz, John Baldessari, Cindy Sherman, Hiroshi Sugimoto, and Stan Douglas. |
| The book's seven essays range widely over themes including Hollywood glamour and stardom, the experimental cinema of the sixties, the influence of psychoanalytic and feminist film theory on art, nostalgia for cinema's golden age, and presentiments of its fragmentation and death. The dialogue between art and film returns frequently to cinema's origins, splintering and re-arranging into new, self-reflexive experiences that highlight and subvert film practice. |
| Exhibitions note |
Exhibition: Museum of Contemporary Art at the Temporary Contemporary, Los Angeles, Mar. 17, 1996-July 28, 1996. |
| Subjects |
Weegee, -- 1899-1968 |
| Warhol, Andy, -- 1928-1987 |
| Sugimoto, Hiroshi, -- 1948- |
| Hopper, Dennis, -- 1936-2010 |
| Hamilton, Richard, -- 1922-2011 |
| Bernard, Cindy, -- 1959- |
| Frank, Robert, -- 1924-2019 |
| Baldessari, John, -- 1931-2020 |
| Art and motion pictures |
| Art and motion pictures -- Exhibitions |
| Genre |
Exhibition catalogues |
| Added Names |
Crary, Jonathan contributing author |
| Ferguson, Russell editor. |
| Added Corporate Names |
Museum of Contemporary Art (Los Angeles, Calif.) host institution. |
